Twin takes a deeper dive into the jewellery and RTW brand Lacuna,  based in Paris

An unfilled space; a gap. It feels like a statement definition already, with the designer Annabelle calling her namesake brand Lacuna. While it also happens to be Annabelle’s last name, it seems fitting to look at the meaning from both angles. 

Lacuna is a brand with a grown up elegance but a sensual sensibility, matching Annabelle’s design pedigree within Chloe, Cerruti, Kenzo and now Margiela designing under Galliano the show collections. 

Seeding out these sensual and undoubtably mesmerising images of her first collection entitled ‘Serpent I’, within her jewellery we see beautiful beady eyes resting on a deep reddish gold that wraps over hands, loops under ear, swirls around necks. Beautiful peachy pearls and shimmery little Swarovski baubles drift amongst dark petroleum-black planet pearls.

Introducing the brand via her perfectly executed look book, Lacuna takes a classic introductory format and makes it sexy: she reminds us of the evocative powers of jewellery, of the way it can emphasise, flatter, signal something unsaid. 

Photographed by the German photographer Marlon Rüberg and styled by Annabelle herself, you can see this is a brand Annabelle has planned for a while. Keeping the team intimate is reflected adamantly in the imagery – room for spontaneity and happy accidents, but clearly polished until it reached a standard Annabelle was happy to brand as her own.

This is not to mention the wonderful hand painted concise collection photographed alongside: a rose overlaid on a python in blues, yellows and red. Stiff silks in kimono shapes and slinky slips drip off the model’s frame. 

Lacuna is a cosmic brand: refined but contemporary – the feeling that it is slightly intergalactic with these biomorphic forms floating on gold wires in unfilled space.

We anticipate great things in her future explorations of deep jewellery space. 

What made you begin your brand?

I have lived and worked in Paris as a womenswear designer for the last ten years- at many different houses and for different sort of creative directors. I wanted to continue doing that and at the same time start working on a personal project. I chose fantasy jewellery as it’s a product that is not connected to my daily work but I had always interest in and I’m a collector… I researched for weeks in all kinds of libraries and museums which was amazing to do, I wanted to give it time to grow. I found the best jewellery ateliers in France to work together with as well as an amazing atelier for my hand painted pieces.

Who photographed and styled the look book? 

Marlon Rüberg is a German photographer and director who shot my look book in Milan, where he also lives and works. He is a very good friend of mine who I met when we were both living in London more than ten years ago. He’s very talented, we share the same references and I knew that he could translate exactly what I had in mind and create a lot more to it than I had imagined. I trust him completely. I styled it myself- for my first look book I wanted to keep the team small and intimate. I like to be prepared and we planned out each shot- but I also like to see what happens on set when everything comes together … I like to try out new things spontaneously on the spot and see what happens. 

What was the inspiration behind your first collection? 

I went far back in my memory and landed at one of my first fashion obsessions that I could remember. My mother used to wear very colourful printed, Philippine exotic house dresses or caftans at home, which was very unconventional growing up in German suburbia and she also used to wear very decadent and chic 80s jewellery on special occasions like receptions or cocktails (my dad used to work for the Philippine government).

All the dresses are hand painted and have different kind of techniques on them, the colours are all mixed by hand. Each piece of my jewellery collection is single, the hand pieces as well as the earrings- I wanted a unique look. 

What did you want to explore in your look book imagery? 

I wanted to present my pieces in a sensual but also sculptural way- that’s why I choose the milk bath scene, the model floating on (fake) fur…

What are your enduring interests. 

I’m always looking at new exhibitions of artists, photographers, sculptors, painters, but also vintage books and magazines … I’m interested to see new aesthetics, mediums, point of views and I’m always happy to meet new people who I can learn from and work together with

Why do you think look books are important? 

For me, editorial, video, look books, any sort of image that accompanies a project, is the ultimate visual diary to show the vision of the brand, its world. Every aspect should look considered. For my next project I would like to focus more on the printed version.

Do you think attitudes in fashion are changing?

The only ‘trend’ or attitude I support at the moment and hope will endure is the sustainability and recycling one in terms of how fashion is being made and produced. But in general I think fashion attitudes go cyclical and one movement will always trigger the counter movement.

What do you want your audience to take away from your brand?

I want it to become synonymous for an avant-garde and extravagant look. 

What powers does jewellery hold?

When you buy it for yourself, it’s empowering. As a gift, it can become very memorable- when it’s family jewellery or from your loved one.

What powers does clothing hold? 

It’s empowerment and disguise at the same time. 

What was the last thing that made you excited? 

Coming to a conclusion what my next project will be about! A lot of different ideas have been going through my head, I was with a friend and talked and talked and talked- and it all became clear.

Credits:

Photographer : Marlon Rueberg 

Model : Kasia Jujeczka

MUA: Giulia Cigarini 

Hair : Daniela Magginetti 

Tags: accessories, Emerging Talent, Fashion, jewellery, Paris