Artist Taryn Simon’s work is a fascinating blend of photojournalism and art photography. Often taking the form of a visual inventory, she’s famed for her meticulous research and crisp photographic execution.
Among her projects, the 2007 book, An American Index of the Hidden and Unfamiliar delved into America’s secret places such as a nuclear waste storage facility in Washington State to a cave where a sleeping black bear and its cubs are monitored by biologists studying hibernation,
Her new show at the Tate Modern is no less obscure, or engrossing. A Living Man Declared Dead and Other Chapters is a complex genealogy of family histories. Four years of research that took just two to photograph, the installation traces a series of 18 family bloodlines, each with its own individual story.
The opening chapter centres on a living Indian man who gives the project its title, having been declared dead in official records. Other real life characters include an Iraqi man who was apparently employed as Saddam Hussein’s son’s body double and a member of the Druze religious sect in Lebanon who believes in reincarnation and re-enacts remembered scenes from previous lives. It’s a magnum opus that’s not to be missed.
A Living Man Declared Dead and Other Chapters is at Tate Modern, London, 25 May to 6 September.
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