Celine Homme SS21 , entitled “The Dancing Kid,” was centred around the idea of teen spirit as creative director Hedi Slimane drew inspiration from the work he did with Tik Tok star Non Eubanks as one of the faces of his SS20 campaign. This year’s collection, prepared in parallel with the winter collection centred around ideas of youth culture as a sartorial documentary about the e-boys, skate culture and an attempt in capturing the essence of an entire generation that turned boredom and confinement into creativity and innovation.
For the collection, Slimane worked with six artists including Tyson Reeder, Jesse Harris, Gregory Edwards, Ryan Ford, Amy Sillman & Turpentine who all contributed in different ways to shape the final result. Each piece told a different story, which ranged from luminous embroidered leather jackets, to lacerated jeans alla Slimane, as well as new Celine Z trainers that will be available for purchase later this year. View the full “The Dancing Kid” show below.
Earlier this week Parisian luxury label Celine released part 1 fo their 2019 Winter campaign under the direction of freshly appointed Creative Director Hedi Slimane.
The campaign shot by the creative director himself, captures the French bourgeois feel that was embodied on the FW19 runway featuring models Marland and Adrien as his muses. The models are clad in Celine from head to toe as they slouch around in some of the full looks from the runway. The campaign features a simple and quite relaxed approach to luxury which echoes the creative director’s intent for the FW19 collection itself. To view the full campaign and the short film accompanied, visit Celine.
American author, novelist and essayist, Joan Didion is the latest to be featured in the Celine SS15 Campaign. Looking effortlessly chic, the 60s Vogue writer is lensed by Phoebe Philo favourite Juergen Teller, and is accompanied by Marie-Agnès Gillot, the French ballet dancer and choreographer and Freya Lawrence, the British model.
The queen of understated cool will also have a documentary made about her soon. We Tell Ourselves Stories in Order to Live, is the fruition of her nephew Griffin Dunne’s Kickstarter campaign. Dunne will also direct the project. More on that to come.
British designer Phoebe Philo has been awarded an OBE in the New Year Honours List for her services to fashion. She is one of just three people to be honoured on the annual register. She is joined by make-up artist Pat McGrath and Central Saint Martins tutor and textile designer Natalie Gibson, both of whom recieve an MBE.
From secondary season to fully-fledged collections in their own right, this past year’s fashion cycle has all been about the rise of resort. Offering the ideal transition from autumn to summer, as well as designers an opportunity to prolong their retail exposure, the season has once and for all stepped out of its main collection sister’s shadow.
From Chloé’s countryside romanticism to Givenchy’s downtown gypsy look, Twin chooses our favourite not-so-in-between collections of the season…
Alexander Wang
Wang’s aesthetic has increasingly matured since his prolific rise and this collection was a clear departure from those tank top and knit beanie days.
The designer still kept his downtown cool thanks to streamlined sleeveless puffa jackets and midriff-baring vests in patent and croc leather, but by offsetting them with front-pleated, pegged trousers and refined chiffon dresses, the looks went from everyday casual to New Yorker chic.
Celine
Every season, through the slightest tweak of a silhouette or colour alteration, Phoebe Philo manages to conjure up a new line of fashion must-haves.
Progressing from her sportswear influenced A/W 12 showing, this collection was a combination of relaxed silhouettes such as wide-legged trousers and leather jumper/jogger combos, but added that typical Celine elegance through geometric prints, clean lines and a largely black and white-colour palette.
Chloé
Chloé designer Clare Waight Keller headed to the country for this collection, but those expecting Little House On The Prairie type looks are in for a big surprise.
Instead Keller took the best inspirations of rural life – think pale skye blue and neutrals, ethnic prints and crochet patterns – and infused it into the brand’s laid back romantic DNA, resulting in lightweight harem trousers, smock dresses, waist-tie tops and scallop-edged shorts made for a summer in the city.
Christian Dior
An appropriate mix of historical references and contemporary elegance, these looks found their strength in the house of Dior’s archetypal look.
Classical waist-cinching shift dresses and tops with peplum hems were paired with cropped straight leg trousers and romantic knife-pleated chiffon skirts, whilst leather accents gave the whole collection a strikingly modern feel.
Givenchy
Presented in a street style photography approach, Riccardo Tisci fused strong tailoring with paisley and geometric prints for an urban bohemian look.
Leather and motif-printed capes stood alongside more relaxed silhouettes of harem trousers and silk shift dresses for a look that was truly Givenchy, but as always, has something new to bring to the table.
Proenza Schouler
Round-shouldered tweed jackets and capes, bleached slim cut jeans, low-slung flares, satin tuxedo trousers and laser cut neon cocktail dresses – this season Proenza Schouler offered the complete wardrobe for their brand’s cosmopolite cool audience.
With colours ranging from cream to ultramarine to pistachio, this was a collection that could go from day to endless night.
Stella McCartney
McCartney’s multifarious resort showing included sheer overlay pleated skirts, fringe tassel lace dresses, golden brocade print cap sleeve and short as well as bubblegum pink blazer and neon orange kick flare trousers combos.
Accessorised with sunshine yellow pointed toe platform pumps and holographic clutches, this collection made us that bit more excited for the summer.
Theyskens’ Theory
How to turn the essentials into something intriguing appeared to be the question on Olivier Theyskens’ mind this season. His answer ticked all the right boxes: oversized blazers were given an oil painting slick appearance thanks to silver velvet and watercolour-esque prints, shimmering lurex T-shirts and jumpers gained nighttime appeal and the tried but true boyfriend jean was fitted with just the right amount of slouch. Who said basic had to be boring?
To many, Paris is the city of love. More importantly however, it is the city of fashion, which could not have been made more clear than through the variety of awe-inspiring runway shows this A/W 12 season. Twin recounts our favourite collections of Paris Fashion Week….
Alexander McQueen
Oversized visor/sunglass hybrids, shaggy fur trimming and heeless, leather strap boots were just the tip of the iceberg when it came to Sarah Burton’s extraordinary A/W 12 collection for Alexander McQueen. As always, there was no shortage of craftsmanship and detailing. Victorian ruffle collars, rolled pleating, laser leather cutouts and delicate floral appliques and embroidery heightened the luxury of the alpine white, pale pink, rose lavender and fuchsia pieces.
Despite the collection’s at times very voluminous silhouettes, silver waist-cinching belts and shorter hemlines still let the sensual side of the McQueen woman shine through. With gravity-defying silk chiffon standing away from the body like a sea anemone, intricately reworked velvet bearing floral shapes and marabou feather hems, Burton even managed to add a touch of earth to an otherwordly collection.
Celine
Phoebe Philo’s vision of the Celine woman has always been a modern and streamlined one. This season, she added a dash of athleticism and bold colours to that equation.
The designer’s signature colour palette of black and white was amped up through the addition of azure blue, fuchsia, rose pink, aubergine and vermilion red, while oversized wool coats, double piping on front-pleated trousers and striped crew neck jumpers gave the collection a more casual feel. But in fabrics such as supple leather and fur, each piece still had that unmistakable touch of Celine luxury.
Chalayan
In this collection, intricate prints resembled the hasty stroke of a painter’s brush, and paint Hussein Chalayan did with colours including crimson, teal, camel, tenné, emerald, fluorescent orange and green.
The silhouettes were streamlined in the form of oversized single-button coats, tunics and shift dresses, but always good for the unexpected detail, he added large cutouts, as well as rectangular bands in contrast collars to cinch in pieces at the waist and bust, not to mention reflective silver lamé panelling, trousers and brogues. Whether artistic or futuristic, every piece bore the Chalayan signature.
Chanel
Considering the high value that Karl Lagerfeld has in the fashion industry, it was only a matter of time before he produced a collection inspired by precious stones. If the set design of oversize crystals jutting out of the ground wasn’t hint enough, this season’s Chanel colour palette was all about the emerald greens, amethyst purples, ruby reds, golds, antique silvers and sapphire blues.
Whether interwoven with the house’s signature tweed or sewn into the sleeves, pockets and breast of a flared wool coat dress, Lagerfeld’s chromatic approach this season only heightened the luxury of the gemstone, feather and lace-crafted pieces. Their point of inspiration may date back to the beginning of time, but thanks to a mixture of architecturally sculpted and relaxed silhouettes, every look was pure modernity. Topped off with crystal eyebrows and Perspex-heeled pumps, this collection proved (once again) why Coco and Karl are the perfect match.
Stella McCartney
If anyone still associated the name Stella McCartney with The Beatles before, then this collection broke that bond once and for all. Working with colours of black, cyan, hot pink, charcoal, dark brown and white, it was a milestone in her journey from famous daughter to design star in her own right.
McCartney’s time at Saville Row made its mark in the tailoring of padded hips, oversized, rectangular cuts, and rounded shoulders, giving every piece a strong sense of structuring while offsetting the more feminine elements such as foliage embroidery and curve-tracing colour blocking. Her tribute to English style didn’t stop there: cozy waffle knit cardigans and dresses worn over Oxford button-downs, as well as A-line skirts in fabrics such as tweed, wool, mohair, crepe paid tribute to McCartney’s heritage. Balance being one of her strong suits, hip-slung, wide-legged trousers, streamlined clutchs, and contrast-coloured pumps and ankle boots gave everything an urban twist.
In the second part of our look back over the past year, Twin’s fashion team name their stars of 2011 and who to watch out for in the next 12 months…
Celestine Cooney – Fashion Director
My favourite show of 2011 was Simone Rocha Spring/Summer 12. I fell in love with the whole collection, it felt so modern and was executed so perfectly with the combination of traditional lace with sheer tulle and rubber. The use of colour in Spring/Summer 12 was also really inspiring with bright pink and a lucid green popping in a collection of black and white.
I think Simone Rocha is a star in the making. I find what she is doing and the collections she is producing, incredibly exciting.
Naomi Miller – Fashion Editor
I loved the Celine collection for Spring/Summer 2012. It was very chic, the couple of knitwear pieces they did were beautiful and so innovative.
Obviously it’s been an incredible 2011 for Sarah Burton, but I’m also stoked for Olivier Theyskens for putting Theyskens’ Theory on the map this year. I also loved the Thomas Tait show – and loved the styling with the sneakers!
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