Cover Image : Fly Whips and Fly Girls, 2019
We all know of the commemorative event that signals towards the end of teen hood as being high school prom night. If we haven’t witnessed it first hand, then we’ve lived vicariously through the likes of films as old as Grease or as recent as High School Musical. But why is it that this event is such a milestone ?
Later this month, New York based gallery Kravets Wehby will present an exhibition by American artist Jamea Richmond-Edwards that gives interesting insight on the momental event as a ritual for black American teenagers.
Opening on October 17th , the artist will take her audience on a visual journey of paintings as she explores the question of why prom is such a right-of-passage for Black America. Each of the artist’s paintings tells a story that hints to the bilateral perspectives surrounding the event. In her piece “Fly Whips and Fly Girls,” she depicts two prom goers posed against their cars ( a photo op. that has become somewhat of a staple on prom night ), implying a sense of autonomy. In another painting, “Seated Girl on Serpent Thrown with Stink Pink Gators,” Richmond-Edwards nods in references to her Southeastern American heritage through the girl’s pink alligator boots. Each painting tells a different story and offers an elevated perspective of the event that has become the norm so much so that we barely even think about it , through the eyes of black America.
If in New York, this exhibition is not one to miss, and will run until November 16th. For more information , visit Kravets Wehby.
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