LFW Backstage Exclusive: Sibling AW16
20.02.2016 | Fashion | BY: admin
London Fashion Week AW15 Highlights
02.03.2015 | Fashion | BY: Kate Lawson
As the fashion pack decamps to Paris for the next round of Autumn / Winter 15 womenswear shows, Twin revisits London Fashion Week – the off-guard moments, the new stars of design and the risk-takers who made us sit up and take notice.
1205
Back to Winter basics was the theme for designer and NewGen recipient Paula Gerbase this season, as her signature androgynous vision continued with structured tailoring, loose fit trousers and knitwear taking the form of longer-length dresses, high polo necks and a sleeveless knit tunic. Utility detailing worked against the neutral colour palette of chalky whites, navy and grey, as the Barbican’s glass roofed conservatory provided a leafy sanctuary and tropical oasis of calm during a hectic fashion week – a setting which blended perfectly with this effortlessly understated collection.
Charlie May
Turning her presentation into a live lookbook shoot – complete with photographer Yuvali Thesis and illustrator Clym Evernden capturing the moment – Charlie May invited the audience behind the scenes into her world of clean-cut modernism. Set in Mayfair’s art-deco inspired Beaumont Hotel, the collection presented an oversize silhouette as generous shapes framed the body in a mix of shearling, leather and rich wools – the emphasis was on tactile textures, quality cuts and winter seen through a fresh minimalist focus.
Helen Lawrence
Experimenting with the concept of deconstruction of textural fabrics, the designer drew inspiration from the tape-wrapped sculptures of British artist Phyllida Barlow.
Creating a collection which included oversize silhouettes in lambswool and elastomeric yarn, raw unfinished holes were left in the garments, paired with heavy leather boots by Kult Domini, evoking a woolly 90s grunge aesthetic.
Set against a landscape of meteor-like rocks, her vision transformed Chelsea College of Arts into a post-apocalyptic playground, with the odd pop of gold bleeding through the romantic darkness.
Christopher Raeburn
We are sailing was a key reference for Raeburn’s nautical-inspired collection, Immerse, which continued the theme from his AW15 Menswear show, offering a bold exploration of the textures, shapes and colours associated with a life on the seas. A merino wool cape, puffer jacket, pea coat and duffel coat all reinvented the sailor aesthetic, in muted blues and life-jacket orange.
His shark print motif was in full effect across knitwear and jumpsuits while fur detailing and long ponchos injected a casually luxe elegance into his signature mix of modern technical outerwear. Shark-shaped bags and mittens gave things a playful twist. Aye aye captain.
Joseph
The basement of a Soho car park complete with silver foil blankets for warmth, provided the setting for Joseph’s take on desconstructed femininity – and the blanket association didn’t stop there. Across an almost nude colour palette, heavy knits and blanket fabrics seamlessly blended with silk, fur and cashmere to evoke an organic cozy familiarity, as hard oversize masculine cuts played against the softness, unravelling a seductive femininity – inspiration drawn from the work of sculptor Robert Morris.
In a collection which included threadbare knits with drop-stitching, fur tunics and blanket dresses, all worn with velcro strap sandals and thick woolly ankle socks, it evoked the feeling of coming in from the cold, with added comfort.
Sibling
Do you wanna be in their gang? Yes please. The Sibling trio continued to put the fun into reworked classics, with an energetic collection which fused a myriad of textural styles, including signature cobwebbed knits, fuzzy furs, lyrically-splashed polished latex and a reinvented tweed two-piece in knitted lurex.
Drawing inspiration from the vibrant hues of the late Danish furniture and interiors designer Verner Panton, 80s neon pinks and sherbet oranges called for attention across colour-block knits, slinky knit dresses and skinny scarves, as detailing from beaded brooches and badges evoked those Saturday trips to Camden Market as a teenager, the one with only DIY on your mind. Slim and sexy silhouettes injected glamour into a collection which celebrated being too cool for school, complete with punk-edged mohawks.
The signature slogan sweater made its entrance too, paying homage to the show’s soundtrack by Blondie – Call Me it said, and if you saw one of Sibling’s girls hanging out at a party… you would definitely try to get her number.
Ashley Williams
From behind a key-hole underneath a neon sign that read “Ashley’s”, out stepped Georgia May Jagger and Alice Dellal along with a gang of cool cultish skater girls, transporting you back to the future, as 80s and 90s references signified a collection which celebrated subverting conventional dress codes. Taking inspiration from riot-grrl founder Kathleen Hanna, actress Chloe Sevigny and the 1985 Beastie Boys track, Girls, out came leather corsets (think vice and all things nice), heavy metal tees, neon pink cropped jumpers, fur bucket hats, vampish PVC dresses, leggings with knee holes, mini dresses decorated in patches, cartoon face print dresses and knit jumpers and skirts featuring graphics by Fergus Purcell.
This was in no way a bubblegum sweet collection, it was hard and fast for girls with a bold attitude who aren’t afraid to express themselves, defined by bratty slogans like “Improve Your Image. Be Seen With Me.” Now that’s confidence for you.
Ashish
Who knew that stripper chic could be so covetable, as a troupe of sassy girls stomped out clad in a powerful and provocative collection which drew inspiration from Jane Fonda’s character Bree Daniels, in the cult 70s movie Klute.
Signature sequin embellishment took on a new form across pumped-up camouflage parkas, mini skirts and jumpers with fur trims, while stonewashed denim was roughed up for the streets, cut into dresses, jackets and lace-up jeans decorated with stud detailing. Boudoir-ready nighties with lace trimming sent the temperature soaring, along with lipstick-red latex boots and a patchwork fur slogan jumper which simply read, “Sex” – watching this collection, you couldn’t help but have it on your mind.
Topshop Unique
There’s a new cocktail in town and it’s called ‘Topshop Unique’, as the fashion powerhouse blended one part outdoorsy daytime English heritage with one part slinky night owl, serving up a decadent mix of sexed-up kilts, vinyl miniskirts, dandelion print dresses with thigh-high slits, marabou trimmed dresses, embellished velvet frocks, Aran knits, retro roll necks and faux fur-lined duffel coats.
Mixing the conventional with the unconventional, this was a gilded happy hour full of posh girls from the countryside who come to the city to party (yah yah), kicking off their red square-toed velvet shoes at the end of the night. We’ll cheers to that.
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